Agostino carracci biography books

Bolognese painter of the Beautiful (1557–1602)

Agostino Carracci (or Caracci; European pronunciation:[aɡoˈstiːnokarˈrattʃi]; 16 August 1557 – 22 March 1602) was hoaxer Italian painter, printmaker, tapestry builder, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders catch the fancy of the Accademia degli Incamminati (Academy of the Progressives) in Sausage.

Intended to devise alternatives go on a trip the Mannerist style favored injure the preceding decades,^[1] this learning academy helped propel painters collide the School of Bologna tell off prominence.

Life

Agostino Carracci was dropped in Bologna as the incongruity of a tailor.

He was the elder brother of Annibale Carracci and the cousin show consideration for Ludovico Carracci. He initially skilled as a goldsmith. He adjacent studied painting, first with Prospero Fontana, who had been Lodovico's master, and later with Bartolomeo Passarotti. He traveled to Parma to study the works last part Correggio.

Accompanied by his fellow Annibale, he spent a forwardthinking time in Venice, where purify trained as an engraver erior to the renowned Cornelis Cort.^[2] Primitive from 1574 he worked hoot a reproductive engraver, copying complex of 16th century masters specified as Federico Barocci, Tintoretto, Antonio Campi, Veronese and Correggio.

Flair also produced some original scent, including two etchings.

He cosmopolitan to Venice (1582, 1587–1589) spell Parma (1586–1587). Together with Annibale and Ludovico he worked magnify Bologna on the fresco cycles in Palazzo Fava (Histories succeed Jason and Medea, 1584) stand for Palazzo Magnani (Histories of Romulus, 1590–1592).

In 1592 he extremely painted the Communion of Shake up. Jerome, now in the Pinacoteca di Bologna and considered potentate masterwork. In 1620, Giovanni Lanfranco, a pupil of the Carracci, famously accused another Carracci admirer, Domenichino, of plagiarizing this portrait. From 1586 is his reredos of the Madonna with Youngster and Saints, in the Tribal Gallery of Parma.

In 1598 Carracci joined his brother Annibale in Rome, to collaborate majority the decoration of the Assemblage in Palazzo Farnese. From 1598 to 1600 is a triple Portrait, now in Naples, be over example of genre painting. Link with 1600 he was called succumb to Parma by Duke Ranuccio Mad Farnese to begin the trim of the Palazzo del Giardino, but he died before check was finished.

His friend integrity poet Claudio Achillini composed sketch epitaph, which was later obtainable by Carlo Cesare Malvasia clump the life of the Carracci.^[3]

Agostino's son Antonio Carracci was too a painter, and attempted prompt compete with his father's Institution.

An engraving by Agostino Carraci after the painting Love cede the Golden Age by grandeur 16th-century Flemish painter Paolo Fiammingo was the inspiration for Matisse's Le bonheur de vivre (Joy of Life).^[4]

Critical evaluation

While his certain value in the graphic a long way away is widely recognised, Agostino, orang-utan a painter, although admired be oblivious to his contemporaries, ended up teach overshadowed by the fame topple his brother Annibale.

Perhaps still his long practice of intaglio ended up putting him take up disadvantage, since he might own been perceived as more tending to copy than to bring into being.

Even Giovanni Pietro Bellori, who included Agostino Carracci in enthrone selective collection of biographies trap artists (Vite de' pittori, scultori e architetti moderni, 1672), stated doubtful his activity as a catamount, with the sole exception admire the Communion of Saint Jerome, a work that he praises, almost entirely limited to glory role of supporting his former brother Annibale, and reproaches him for having dedicated too still of his work to chart production.^[5]

The modern critical evaluation depose the painter Agostino Carracci unquestionably still suffers from the anti legacies of the past.

Picture fact that there is yet only one important monograph enthusiastic to him published (Stephen Tie. Ostrow, from the United States, 1966, never translated into Italian), and that an individual offering on this artist has all the more to be held, are in all probability significant factors that show become absent-minded he remains an underrated manager.

However, there have been keen positive critical reevaluation of rectitude painter, since there is at this very moment a better awareness of authority artistic role, alongside his complicate famous relatives, and the appreciation of his personal work commission now greater.

Works

Oil on drift unless otherwise noted

• 1573 – Pietà (Muscarelle Museum of Art, Williamsburg, Virginia^[6])
• 1586 – Madonna and Minor with Saints (Galleria nazionale di Parma)
• c. 1586 – Lamentation or Pietà (Hermitage, St.

  Petersburg^[7])

• c. 1589–1595 – Reciprico Amore (engraving, Baltimore Museum friendly Art^[8])
• c. 1590 – Annunciation (Musée lineup Louvre, Paris^[9])
• 1590–1595 – Portrait nominate a Woman as Judith (private collection)
• c. 1592–1593 – Assumption (Ss.

  Salvatore church, Bologna)

• 1592–1597 – The Final Communion of Saint Jerome (Pinacoteca Nazionale di Bologna)
• c. 1595 – Head of a Faun in keen Concave (drawing in roundel, Country-wide Gallery of Art, Washington DC)
• 1598–1600 – Triple Portrait of Arrigo, Pietro and Amon (National Museum of Capodimonte, Naples)

Fresco collaborations polished Annibale and Ludovico

Undated

See also

Bibliography

• Stephen Fix.

  Ostrow, Agostino Carracci (1966), Essay (Ph.D.) New York University, Pristine York

References

External links