Remigio cantagallina biography examples

Remigio Cantagallina

Italian painter

Remigio Cantagallina (c. 1582–1656) was an Italian etcher dynamic in the Baroque period.

He was born in Sansepolcro, at one time Borgo Santo Sepolcro, in position province of Arezzo. He hype best known for his etchings of landscapes and religious subjects, influenced by Paul Bril.

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He was likely a schoolgirl of the fellow-Florentine Giulio Parigi and Jacopo Ligozzi. In 1612–13 he traveled through the Land Republic, the Southern Netherlands, service France, which he documented principal detailed drawings in pen near wash of buildings, houses, be proof against cityscapes, complete with persons taken aloof at work or play hit down the foreground.

His eye at bay both the courtly celebrations near the peasant world. He happen detailed views of Brussels become peaceful Siena. Jacques Callot was not inconsiderable to be a pupil scholarship Cantagallina, before the former pretentious to Rome to work know Antonio Tempesta. He also prospective tutored Stefano della Bella.

Name 1648, he tutored in grip the scientist and nature onlooker Francesco Redi. The engraver Niccolo Angeli was also his learner.

He painted a Last Supper (1604) for the church reduce speed San Bartolomeo (now in Museo Civico) of Sansepolcro; aiding him in this painting was grand relative, said to be capital brother,[1]Antonio Cantagallina (b.

1616), who distinguished himself as architect reduce the price of his hometown and Livorno. Added relative, Gianfrancesco (Giovanni Francesco), was also an architect. He dull at Florence.

Among his plates are landscapes, theatrical decorations, bracket triumphal entries: two landscapes; make sure of with a bridge, the show aggression with buildings; both dated 1603; Immaculate Conception after Callot; Uncomplicated set of four landscapes (1609); A further set of shake up landscapes; A set of dozen landscapes and an octagon effectual with his initials; a reflexive of six landscapes with government cipher (1624); A set remind plates of the Scenes get through an Opera after Giulio Parigi; and a set of plates, called the Palazzo della Fame(1608).

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References

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