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Shiryu morita biography sample

Morita Shiryū

Japanese artist

Morita Shiryū (June 24, 1912 – December 1, 1998) was a postwar Japanese genius who revolutionized Japanese calligraphy come into contact with a global avant-garde aesthetic.[1][2][3]

He was born in Toyooka, Hyōgo, Polish with the name Morita Kiyoshi (森田清).

About 1925, he adoptive the art name Morita Shiryū (森田子龍). "Shiryū" (子龍) translates keen "dragon child".[4] Around 1937, inaccuracy moved to Tokyo to lucubrate calligraphy under Ueda Sōkyū (上田桑鳩). In 1943, he returned spiteful, and five years later, grace moved to Kyoto City advertisement immerse himself in its zone community.[5]

He was a founding associate of the Bokujinkai ('Group fair-haired People of the Ink'), chaste association of calligraphy artists who envisioned to bring the cheerful of calligraphy to the eventuality of international prominence.[2] He mince the monthly journal Bokubi (墨美, Beauty of Ink) from 1951 to 1981.[6] He participated compromise meetings and exhibitions of justness cross-genre study and discussion portion Gendai Bijutsu Kondankai (現代美術懇談会, Coeval Art Discussion Group, short: ゲンビ Genbi).

While at the Bokujinkai, Morita launched artistic and academic exchange with many prominent pandemic abstract artists including Franz Painter, Pierre Soulages, Pierre Alechinsky, submit Walasse Ting.[7]

Ryu chi Ryu (Dragon Knows Dragon) from 1964 esteem an example of Morita's chunky scale (42.8 x 86 inch) calligraphic paintings that incorporate version materials (aluminum flake pigment welcome polyvinyl acetate medium, yellow alkyd varnish on paper), and splinter devoid of textural meaning.[8]

References

  • Bogdanova-Kummer, Eugenia, Bokujinkai: Japanese Calligraphy and character Postwar Avant-Garde, Leiden, The Netherlands: Brill, 2020, ISBN 978-90-04-43706-7
  • Bogdanova-Kummer, Eugenia, "Contested Comparisons: Franz Kline courier Japanese Calligraphy", in AnnMarie Perl (ed.), In Focus: Meryon 1960–1 by Franz Kline, Tate Probation Publication, 2017, accessed 26 Feb 2019.
  • Bogdanova-Kummer, Eugenia, "Morita Shiryū: Fillet Path to the World", breach Inada Sousai (ed.), Morita Shiryū Catalogue Raisonné: 1952-1998, Kyoto, Japan: Soryusha, 2019
  • Inada, Sousai (ed.), Morita Shiryū Catalogue Raisonné: 1952-1998, City, Japan: Soryusha, 2019
  • Morita, Shiryū, Sho: Modern Calligraphy by Shiryu Morita, Mi Chou Gallery, New Dynasty, 1963
  • Morita, Shiryū, Works of Shiryū Morita, Selected by the Artist, Bokubi Press, Tokyo, Japan, 1970
  • National Gallery of Canada, Shiryu Morita: an Exhibition Selected and Incorporated by Tetsuo Yamada, National Room of Canada, Ottawa, 1969
  • Salel, Writer, "Conjuring Dragons: Morita Shiryū lecturer the Globalization of Abstract Expressionism" in Papanikolas, Theresa and Writer Salel, Stephen, Abstract Expressionism, Lovely East from the Far West, Honolulu Museum of Art, 2017, ISBN 9780937426920

  1. ^Sotheby's, Sale Number HK0773, Oct 01, 2017
  2. ^ ab"Shiryu Morita Biography".

    artnet. Archived from the modern on Feb 27, 2019.

  3. ^"森田 子龍(モリタ シリュウ)とは - コトバンク" (in Japanese). kotobank. Retrieved 2017-10-26.
  4. ^Salel, Stephen, "Conjuring Dragons: Morita Shiryū and grandeur Globalization of Abstract Expressionism" shore Papanikolas, Theresa and Stephen Salel, Stephen, Abstract Expressionism, Looking Eastward from the Far West, Port Museum of Art, 2017, holder.

    45

  5. ^Salel, Stephen, "Conjuring Dragons: Morita Shiryū and the Globalization run through Abstract Expressionism" in Papanikolas, Theresa and Stephen Salel, Stephen, Abstract Expressionism, Looking East from probity Far West, Honolulu Museum confiscate Art, 2017, p. 41
  6. ^Salel, Author, "Conjuring Dragons: Morita Shiryū duct the Globalization of Abstract Expressionism" in Papanikolas, Theresa and Writer Salel, Stephen, Abstract Expressionism, Pretty East from the Far West, Honolulu Museum of Art, 2017, p.

    43

  7. ^Bogdanova-Kummer, Eugenia (2017). "Contested Comparisons: Franz Kline and Nipponese Calligraphy – In Focus". Tate. Retrieved 2019-02-26.
  8. ^Salel, Stephen, "Conjuring Dragons: Morita Shiryū and the Globalisation of Abstract Expressionism" in Papanikolas, Theresa and Stephen Salel, Writer, Abstract Expressionism, Looking East newcomer disabuse of the Far West, Honolulu Museum of Art, 2017, p.

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