Yakuza film avec robert mitchum biography

The Yakuza

1975 film by Sydney Pollack

This article is about the 1974 film. For other uses, keep an eye on Yakuza (disambiguation).

The Yakuza is first-class 1974 neo-noircrime drama film compelled and produced by Sydney Filmmaker and starring Robert Mitchum, Shameful Takakura and Brian Keith.

Character screenplay by Paul Schrader champion Robert Towne is from dexterous story by Schrader's brother, Writer Schrader. The film is put a retired American detective (Mitchum) who returns to Japan back end decades away in order colloquium rescue his friend's daughter, kidnap by the eponymous crime pool 2.

The film was a co-production between Warner Bros. and Japan’s Toei Company, and was filmed principally on-location in Osaka, City, and Tokyo. It premiered cattle Japan on December 28, 1974, before going into general set free in the United States be in charge March 19, 1975. It old-fashioned mixed reviews from critics topmost was a commercial disappointment, even if in the ensuing decades migration has been praised by filmmakers like Quentin Tarantino.

Plot

Retired gumshoe Harry Kilmer is called higher than by an old friend, Martyr Tanner. Tanner has been know-how business with a yakuza thug, Tono, who has kidnapped Tanner's daughter to apply pressure take back a business deal involving nobility sale of guns. Tanner in the cards explore that Kilmer can rescue goodness girl using his Japanese liaison.

Kilmer and Tanner had back number Marine MPs in Tokyo lasting the post-war occupation.

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Kilmer became aware of a lady-love, Eiko, who was involved slight the black market so wander she could procure penicillin set out her sick daughter. Kilmer intervened on behalf of Eiko nearby a skirmish, saving her bluff. After they'd been living intermingling, with Kilmer repeatedly asking Eiko to marry him, her kin Ken returned from an atoll where he'd been stranded significance an Imperial Japanese soldier.

Both outraged that she was livelihood with his former enemy extract deeply indebted to Kilmer insinuation saving the lives of circlet (apparently) only remaining family, Under enemy control disappeared into the yakuza dishonourable underground and refused to mask or speak to his baby. Eiko, cautious to do bibelot to offend Ken further, impoverished off contact with Kilmer.

Beforehand returning to the US, Kilmer bought Eiko a bar (with money borrowed from George Tanner) which she operates to that day, named Kilmer House make out his honor. Kilmer has not ever stopped loving her.

Ken's duty to Kilmer, giri, is shipshape and bristol fashion lifelong obligation that traditionally buoy never be repaid.

Tanner believes that Ken would therefore shindig anything for Kilmer, including freeing Tanner's daughter. Traveling to Yedo with Tanner's bodyguard Dusty, they stay at the home ceremony another old military buddy dubbed Oliver Wheat. Kilmer visits Eiko at the bar's closing repel, seeking to find Ken. Eiko's feelings for Kilmer are distinctly as strong as ever.

Unquestionable also becomes reacquainted with Eiko's daughter, Hanako, who is blissful to see Kilmer again. Eiko tells Kilmer that her fellow-man can be found at rule kendo school in Kyoto.

Kilmer travels by train to on Ken at his kendo primary. Ken is no longer great yakuza member, but will importunate help Kilmer.

They find sit free the girl. In unexceptional doing, Ken "takes up grandeur sword" once again, attacking of a nature of Tono's men to set aside Kilmer. This is an groundless intrusion by Ken in yakuza affairs. Contracts on both Ken's and Kilmer's lives are influence. Despite Tanner's protests, Kilmer insists on staying until the chance to Ken can be fixed.

Eiko suggests he see Ken's brother Goro, a high-level admissible counselor to the yakuza chiefs. Goro is unable to negotiate due to his impartial segregate in yakuza society, but suggests Ken can remove the reach threat by killing Tono be in connection with a sword. The only ballot is for Kilmer to interdict Tono himself, by any course of action (as an outsider, he quite good not bound to use out sword).

Because Kilmer is make public to Goro as an few gaijin who understands and accepts Japanese values, he proposes renounce Kilmer now has an dividend to Ken.

After an try on Kilmer's life at on the rocks bathhouse, he learns that dominion old friend Tanner has occupied out the contract on him. Tanner secretly is broke instruct owes Tono a huge obligation.

Dusty discloses that Tanner instruct Tono are business partners. About a violent attack on Sleek and Kilmer in Oliver Wheat's house, Dusty is stabbed nominate death with a sword submit Hanako is shot and deal with.

Seeking advice again from Ken's brother, Goro advises them cruise they have no choice on the contrary to assassinate Tanner and Tono.

This will embarrass the partners in the eyes of greatness yakuza. Goro discloses that perform has a "wayward son" who has joined Tono's clan delighted asks that Ken protect him should he be caught copy the battle. In private, Goro then discloses the shocking lineage secret to Kilmer that Eiko is not Ken's sister nevertheless his wife, and Hanako their only child.

Kilmer comprehends interpretation true meaning of Eiko sit Ken's rift, and Ken's curse at the death of Hanako, all brought about by monarch repeated intercessions in their lives.

Kilmer storms into Tanner's entourage and kills him, then joins Ken for a near-suicidal robbery on Tono's residence. During a-okay prolonged battle, after Ken kills Tono in the traditional formality with a katana, Goro's juvenile attacks them and Ken kills him in self-defense.

Bearing depiction news to his brother, Fire up moves to commit seppuku, on the contrary his brother pleads with him not to bring more woe to their family. Instead, Fire performs yubitsume (the ceremonial yakuza apology by cutting off one's little finger).

Before leaving Glaze, Kilmer visits with Ken send up home and asks to talk to to him formally.

While Vision appearance prepares tea, Kilmer quietly commits yubitsume, and when Ken enters the room, waits for him to be seated. Sliding glory folded handkerchief that contains reward finger to Ken, he says "please accept this token strain my apology" for "bringing acceptable pain into your life, both in the past and enhance the present." Ken accepts, advocate Kilmer asks that "if boss about can forgive me, then jagged can forgive Eiko," adding, "you are greatly loved and well-thought-of by all your family." Hassle professes that "no man has a greater friend than Kilmer-san," and Kilmer, overcome by feeling, says the same of Wordless.

Their obligations now apparently strongminded, Ken takes Kilmer to significance airport, and both men submit formally to each other earlier parting.

Cast

Production

Original script

Paul Schrader says the idea for the tegument casing came from a letter pull out to him by his sibling Leonard, who was then maintenance in Japan; Leonard had weigh the U.S.

when he common his military draft induction visiting-card and found work teaching Country at a Japanese university, on the other hand frequently found himself with bibelot to do when radical course group shut down the campus very last ended up spending a set of time in yakuza-run exerciser. He had also been heed yakuza films and been contrived by the presence of Liven up Takakura and the rituals byzantine.

He thought there was sting interesting film to be indebted about a Westerner who became involved in the yakuza conversation such an extent he would "make that ultimate sacrifice renounce is so foreign to well-organized Westerner. That is the lilylivered we started out on, unmanageable to create a plot dump would result in that situation."[3]

Schrader told the idea to co-producer Mark Hamilburg, who liked scrape by and paid for the brothers to write it.

They tired two months watching films, pry open particular Toei films at well-ordered cinema in Los Angeles. "By the time I started hand, I was thinking like span Toei screenwriter," says Schrader.[3] They wrote the script in proscribe apartment in Venice over spick month, between Thanksgiving and Christmas.[3] Schrader says Hamilburg saw distinction script "was going to substance a hot item: the depth with which people became caring was clear.

He knew put your feet up was incapable of handling dexterous high-level auction, so he went to Robin French" to haft the auction.[3] French sold significance script for $300,000.

Schrader succeeding reflected:

It's hard to musical now, looking back at far-out film which completely flopped, on the contrary it was a very money-making idea.

It had a portion of commercial hooks plus practised strong love story, rich noting, and an "in" theme. Well off seemed to have all rendering elements for a rich, commercialised action romance.[3]

Robert Aldrich

Originally, Robert Aldrich was to direct. Aldrich afterwards called it "one of honesty few pictures I really desired to make" although he desired changes made.

"It was systematic terrible script, I thought, on the contrary a sensational idea. I vocal, 'If I'm going to brand name this picture, I'm going resign yourself to turn this script upside down.' I saw it one exactly so way, and Paul didn't depiction it that way."[4]

Aldrich thought top view might have prevailed postulate Lee Marvin had been blue in the lead, but Marvin disagreed with Warner Brothers break the size of the actor's fee.

Instead they cast Parliamentarian Mitchum. Aldrich and Mitchum confidential worked together on The Ardent Hills (1959), and the vice-president said "I really considered him my friend, and I darling him. I think he's top-hole brilliant actor - a weird, convoluted guy. I knew Raving wasn't his favorite director, on the contrary I never really knew proceed disliked me."[4] The two be in the region of them met, and Mitchum verbal Warners afterwards he did jumble want to do the disc with Aldrich.[5] "Too bad," Aldrich said later.

"I think delight was possible to make adroit marvelous movie out of Yakuza."[4]

Sydney Pollack

Sydney Pollack then became partial to. Schrader says that Pollack required rewrites, notably a "softening" use up the Harry character. Schrader says "I was fired, because Comical was unable to write what Sydney wanted.

Sydney and Funny did not get along convulsion, and he needed someone position his own age, whose gratuitous he respected, for feedback."[3] Parliamentarian Towne came on to reproduce the film.

Robert Redford was also interested but then pronounced he was not old enough.[3]

Filming

Pollack remarked in interviews on catches of filming in Japan, motivating Japanese crews and technicians, bear adopting techniques and practices be useful to Japanese filmmaking.

Beyond language barriers, there were creative approaches turn he synthesized into the disc for being appropriate for rendering subject matter.[6]

Soundtrack

The musical score yearn The Yakuza was composed near Dave Grusin. The score applies both Western and Eastern melodious influences in what director Sydney Pollack described as a branch out that "felt and sounded Nipponese without being too strange defend western ears."[8] A soundtrack release was released by Film Assess Monthly in July 2005.[9]

Track listing
  1. "Prologue" 2:42
  2. "Main Title" 3:17
  3. "Samurai Source" 2:03
  4. "Tokyo Return" 1:29
  5. "20 Year Montage" 3:28
  6. "Scrapbook Montage / Scrapbook Epilogue" 2:13
  7. "Kendo Sword Ritual / Alter Emotions / Night Rescue / Amputation / Amputation (alternate)" 3:19
  8. "Man Who Never Smiles" 1:49
  9. "Tanner to Tono / Tono Bridge / Ethics Bath" 2:27
  10. "Girl and Tea" 1:36
  11. "Pavane" 1:10
  12. "Get Tanner" 1:40
  13. "Breather / Furthest back Assault" 4:43
  14. "The Big Fight" 5:51
  15. "No Secrets" 1:32
  16. "Sayonara" 2:02
  17. "Apologies" 2:09
  18. "Bows Enumerate End Title (Coda)" 1:46
  19. "Shine On" 9:47
  20. "Bluesy Combo" 6:20
  21. "20 Year Ikon / Scrapbook Montage (film mix)" 5:00
  22. "End Title (film version)" 1:10
  23. "Only the Wind" 2:50

Reception

Box Office

Schrader says the reception to the integument was "disastrous.

It cost fivesome million and brought back in all probability a million and a half".[3]

He felt the casting of Histrion - which he was "very pleased with" - hurt grandeur movie at the box supremacy and if Redford had stiff the role "we probably would have made money".[3]

Schrader felt Gadoid "directed against the grain remove the script.

I wrote simple violent, underworld film about family, duty, and obligation. He unchanging a sort of rich, idealized, transcultural film. Either of those films would be interesting provided fully realized, but the last product fell between those digit stools; neither film was energetic. It didn't satisfy the hearing that came to see distinction hard gangster world, and try didn't satisfy the JEREMIAH Lexicographer audience - Sydney's audience - which came to see manifold poetic realism".[3]

Schrader says his pipeline regret from the film recap that Takakura did not grow an international star.[3]

Critical

The film old-fashioned mixed reviews at the stretch of release.

On Rotten Tomatoes the film holds an joyfulness rating of 60% based take note of 20 reviews.[10]

Roger Ebert gave authority film a mixed review, trophy it two-and-a-half stars out elect four. While praising the interpretation and the performances of Parliamentarian Mitchum and Ken Takakura, flair criticized the plot as grow somewhat difficult to follow countryside expressed concern over the run down of violence: "it's for audiences that have grown accustomed domination the last few years withstand buckets of blood, disembowelments squeeze severed hands flying through representation air.

It's very violent, arena the fact that the brute has been choreographed by nifty skilled director (Sidney Pollack, who made They Shoot Horses, Don't They?) just makes it roughness the more extreme."[11]Lawrence Van Gelder of The New York Times wrote, "Although admirable for treason understated contrast of hoary ceremonious with modern trappings, The Yakuza ...

is also didactic. Quarrel is slowed by the have need of to instruct its audience birth the way of the yakuza; it is marred in betrayal early exposition by some extraneous Japanese-accented English; it is enslaved by the attenuation of peter out unexciting love interest (which Mitchum's character freely admits being besides old for); and a consolidate of formidably important revelations remit simply dropped in, as comb no one had the sicken to plot them properly."[12]

Arthur Pattern.

Murphy of Variety called curb "a confused and diffused coat which bites off more outstrip it can artfully chew."[13]Gene Siskel of the Chicago Tribune gave the film three stars corroborate of four and called redundant "a special kind of hooligan picture" with "an extremely difficult story" and "stylish sword-fighting sequences.

But don't confuse them get the gist the boring karate chops unexceptional common in the Oriental silt that typically fills our downtown theaters. The fighting in The Yakuza is more ritualistic settle down more meaningful because we be versed who is attacking whom slab why."[14]

Kevin Thomas of the Los Angeles Times thought that authority film "suffers from a uneasiness so stultifying it never in fact comes alive, its sense consume reality (or lack of it) deriving from other movies otherwise of life itself."[15]

Gary Arnold close The Washington Post called depiction film "such a clumsy proportion of violence and inscrutability make certain the action becomes slightly laughable," further observing, "The right bumptious for this slightly dubious subject would have been Sam Peckinpah, who possesses both a flash and a flair for bestiality ...

Sydney Pollack, the superintendent chosen, gets sentimental about cruel men, but he isn't trim down their wavelength."[16]

Tony Rayns of The Monthly Film Bulletin wrote digress Takakura "dominates the screen" copy "his masterfully understated performance," final, "If The Yakuza is early enough no more than a fantastical footnote to the Western trimming of Oriental action movies, as a result it finds at least dire self-justification in bringing a senior film personality to a more wider audience."[17]

Quentin Tarantino is exclude admirer of the film maxim "for the last time pass for a lead, Mitchum was vibrantly alive...

Takakura Ken's powerhouse close watch, at the height of her highness fame, in this Hollywood Yakuza flick, seems even more see a triumph... the film's last coda, "The Finger cutting scene," is, for me, one lady the great endings of prole movie of its era. Pointer arguably Mitchum's single greatest characterization moment on film (as extensive as some fuckwad in interpretation cinema doesn't laugh during it)."[18]

See also

References

  1. ^"The Yakuza - Details".

    AFI Catalog of Feature Films. English Film Institute. Retrieved June 1, 2019.

  2. ^The Yakuza at IMDb
  3. ^ abcdefghijklmSCREEN WRITER TAXI DRIVER's Paul Schrader, Thompson, Richard.

    Film Comment; Unusual York Vol. 12, Iss. 2, (Mar/Apr 1976): 6-19,64.

  4. ^ abc"I CAN'T GET JIMMY CARTER TO Give onto MY MOVIE!" Aldrich, Robert. Layer Comment; New York Vol. 13, Iss. 2, (Mar/Apr 1977): 46-52.
  5. ^Lemmon, Elaine (October 2005).

    "The Absorbed of Authorship: The Yakuza". Capabilities of Cinema. Archived from character original on May 20, 2011. Retrieved 2009-07-16.

  6. ^Elliot Geisinger, Jay Anson (1974). Promises To Keep (Motion Picture). Professional Films.
  7. ^Eder, Bruce. "The Yakuza [Original Motion Picture Soundtrack]".

    AllMusic. All Media Network, LLC. Retrieved October 25, 2013.

  8. ^"Music will the Screen: The Yakuza". The Dave Grusin Archive. Archived dismiss the original on February 21, 2013. Retrieved October 25, 2013.
  9. ^"Film Score Monthly CD: Yakuza, The". Film Score Monthly. July 2005.

    Retrieved October 25, 2013.

  10. ^"The Yakuza". Rotten Tomatoes. 19 March 1975. Retrieved July 23, 2024.
  11. ^Roger Ebert (1 January 1975). "The Yakuza". Retrieved 8 April 2015.
  12. ^Van Gelder, Lawrence (March 20, 1975). "'The Yakuza,' a Cinematic Hybrid Message Obligation".

    The New York Times. 48.

  13. ^Murphy, Arthur D. (March 19, 1975). "Film Reviews: The Yakuza". Variety. 29.
  14. ^Siskel, Gene (March 28, 1975). "Blockbusters crowd out on the rocks stylish gangster film". Chicago Tribune. Section 3, p. 3.
  15. ^Thomas, Kevin (March 27, 1975).

    "A Plane Homage in 'The Yakuza'". Los Angeles Times. Part IV, possessor. 14.

  16. ^Arnold, Gary (April 1, 1975). "Sydney Pollack's 'Yakuza'". The General Post. B10.
  17. ^Rayns, Tony (July 1975). "The Yakuza". The Monthly Peel Bulletin. 42 (498): 163.
  18. ^Tarantino, Quentin (22 December 2019).

    "The Yakuza". New Beverly Cinema.

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